Photo Shoot of Mariposa Rose in Wynwood Miami-September 2012

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  [caption id="attachment_1432" align="alignnone" width="940"]Mariposa Rose Mariposa Rose-Wynwood Miami-Portrait-Photo Shoot-Model[/caption]

Last weekend the plan was to shoot Mariposa Rose at the old Miami Marine Stadium on Key Biscayne, however after mapping the photoshoot in my mind I realized that for the varied shoot that we wanted, the backgrounds were rather limited. Additionally it is much more difficult to get inside. The obvious next choice was a trip down to Wynwood. We chose several spots while driving around and the abandoned toilet bowl was an obvious choice. I used a Canon 5D Mark III and used my Canon 50mm 1.2L Lens. Additionally I lit the shadows with my Canon 600EX RT Flash with a Rogue Flash Bender Diffusion Panel attached. The flash was used off camera with a dedicated three foot cord. I was thoroughly impressed with the performance of the Flash and Rogue Diffusion Panel. The light was incredibly soft compared with other flash modifiers I've used in the past. Anyway the shoot was a big success. You may wonder why I did not use my Canon 70-200mm 2.8L. Well it's rather simple I could not hold the camera, zoom, and flash by myself. Had I had someone else helping me I would have used both lenses. To see more images of Mariposa Rose Photo Shoot click on the image. It will take you to my Facebook Page. Last but not least, I would like to thank the Makeup Artist: Lourdes Gutierrez without whom this photoshoot would not have been possible. Obviously, by looking at these images she is truly an artist. Please visit her website to check out her work and available services at http://www.makeupbylourdes.com.

Shadows are the Soul of your Images

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Shadows are the Soul of Your Images as they give shape, mood, and depth to your photography. They must, however, be used creatively, and not left to chance or environment. One of the best ways to do this is with a single off-camera light, whether held in your hand or on a stand. When I use the term light, this can literally be ANY light: a studio light, camera flash, shop light from Home Depot or even a bare hanging bulb. It need not be fancy. There are various ways to trigger the strobes/camera flash, such as a cord connected to your camera or if using the same manufacturer of flash and camera, wirelessly. After you have your light source established, now it's time to shape the light. There are several types of light modifiers on the market that will suit your needs. Bouncing flash off a white ceiling produces much softer light, where a flashlight or "on camera" flash produces harder light. The idea is to experiment with everything. In this image II used a snoot opened up on the end to give the image more of a spotlight effect to emphasize the shadows. I recommend paying a visit to B&H Photo www.bhphotovideo. com, www.strobist.blogspot.com, or even www.YouTube.com. They all have tutorials and an abundance of information on photographic lighting. 20120827-094955.jpg

Art and Bodies: A Celebration of Self Expression

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I honestly, did not know what to expect when the call went out to cover the South Florida Tattoo Expo in Coral Springs. I knew though that the color and characters that I would encounter would certainly provide for interesting photographic opportunities. I checked in to get my Media Credentials and the ladies at the registration table were very pleasant and as far as I could see free of bodily markings or anything else. On my way to the main Expo area I passed the Pirate tables. Theses are the Doctors, Lawyers, and various other Professionals that dress like bad asses in all kinds of Harley stuff. I truly did not see anyone there that looked scary and acted the part. On the contrary everyone and I mean everyone was very pleasant and more than eager to get photographed. In a couple of cases this was sans clothing. Ok, so I did not do this assignment just for the pay. Then again a Publix Bagger would not do it for the pay either. I do kiosk after another this because I love photography and interacting with people. After passing the many vendors that mainly consisted of Sex Toys, body implants of various types and Drug paraphernalia, I made it into the main hall. The main area of the Expo was one Tattoo Kiosk after another. I would say probably fifty in all, and they were all doing brisk business usually by appointment only. I definitely had Tattoo envy with my one and only Ironman Tattoo.  On owner stopped me and showed me his latest work of art. Seeing that I had my media tag on, he said I missed all the excitement. About half an hour before I arrived he Tattooed a woman's Anus a Green Blue which he proudly showed me on his Iphone. Really? I would not have believed it had I not seen it with my own eyes. The Expo was not a place for the bashful. If you can imagine where someone can get a Tattoo, they were getting them there and in some very private places. Funny thing, I did not see any of the typical guys, you know who they are with the Tribal Armband.These were hard core Tattoo people. The real story in my opinion and what provided for the most interesting images were not the customers, but the artists. The different looks of concentration showed that they have a genuine dedication to their craft. These are not the slouches that misspell words on peoples knuckles with rudimentary instruments. The Tattoo Artists I saw there were true professionals in their interaction with the public, their adherence to cleanliness and safety, and the works of art they were creating. There was also a tasteful burlesque show, and piercing contest, though I missed the later while watching a young lady receive several piercings on her chest and back that were then laced with leather. I spoke to her afterward and she told me that she was an apprentice at the Tattoo Parlor that was performing the work. I guess that could be a tax deduction. Anyway enjoy the images I posted and follow the link to my Facebook Page to see the rest. Thanks for reading! [nggallery id=11]

How a Concept Becomes an Image.

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[caption id="attachment_1375" align="alignleft" width="940"] Vision on the Tracks[/caption] On our second to last day of vacation we were walking through the town of Dillsboro, North Carolina. Normally during my other summertime visits this is a bustling little tourist town with a number of shops, and a station for the Smoky Mountain Railway. On this visit it looked like a Ghost Town. That thought stuck in my head as I passed each closed shop and we found ourselves as the only people on the street. The girls needed to use the restroom, so I took them to the restrooms by the railroad track and waited for them outside. I stared at the tracks thinking of different types of images to make as my eyes followed the tracks toward the overpass where the tracks merge with another section creating an interesting design. The girls finally came out and started walking the track like a balance beam together toward the overpass while I snapped images of them. As they passed me and I was behind them I could imagine them standing on the tracks and the overpass framing them, with the intersecting tracks leading the viewer into the image. I made a bunch of images as they were balancing down the track and then I asked them if I could have some fun now and pose them after I let them walk down the tracks forever. They liked the idea and for the first few images I had them holding hands at the same intersection you see above, but facing away from me. Then I thought that it would make more sense if they were coming out of the tunnel made by the overpass. I made several iterations of that composition with arms down and up at a good distance away. I was happy with what I had and we left on our way back home. When I got home and started editing the remainder of the vacation images I spotted one and decided to tone it as a slightly dark Black & White image. As they image got darker the concept and feel of the image also got darker. I kept adjusting with some other tools until it actually started getting kind of frightening. I started thinking about the Ghost Town thoughts I had and the girls playing on the tracks. The thought came into my head to make them look like spirits from this Ghost Town. Maybe kids that were playing on the track at one time, were hit by a train, and now haunt the tracks. Too weird. Too bad, that's what was in my head. I kept making major and minor adjustments until I was satisfied I'd achieved that look. And here it is. I hope you like the image and the narrative of it's creation.

One vision leads to others

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During my time in North Carolina and Tennessee, it brought back a lot of memories of vacationing in the area for many years. This visit for some reason I started noticing the vintage signage that I've been seeing for the last 30 years. This is probably due to my latest emphasis in urban photography. With photography, one aspect of a project opens your mind and eye to other vision. By the way this is an HDR image created to capture all of the possible tones, but not create a freakshow. 20120729-004715.jpg

What's a great place for portraits in Great Smokies?

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I've been in Great Smoky Mountains National Park for the last few days. I am very familiar with the park as my family has been vacationing here for many, many years. One of the great jewels of the park and a great place for portraiture is Cades Cove, on the Gatlinburg side of the park near Townsend, TN. Cades Cove is an isolated valley located in the Tennessee section of Great Smoky Mountains National Park, USA. The valley was home to numerous settlers before the formation of the national park. Today Cades Cove is the single most popular destination for visitors to the park, attracting over two million visitors a year, due to its well preserved homesteads, scenic mountain views, and abundant display of wildlife.[1] The Cades Cove Historic District is listed on the National Register of Historic Places.[caption id="attachment_1347" align="alignleft" width="300" caption="Cades Cove Portrait, Cades Cove, Great Smoky Mountains National Park"][/caption]

Making a simple image a little more interesting and dramatic!

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Let It Be dancers from Dance Attack at the Diplomat Hotel in Ft. Lauderdale. Taken by Ana with an iPhone 4S and manipulated in a couple of programs for effect. Now you don't need fancy computer programs to do this there are thousands of apps on your phone that can come pretty close. Search the app store for photography. [caption id="attachment_1336" align="alignleft" width="640" caption="Let it be, Dance Attack,2012"][/caption]

How do you make natural looking images indoors?

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This topic is one that many people find most difficult. The reason for it is that the flash tends to overpower the subject making the room very dark and the subject obviously exposed by flash. There are several ways to solve this problem. The simplest way is to allow the camera take the reading for you without the flash, set you camera manually to that setting, set your flash to Auto and bounce the light off the ceiling. That's great if you have a fancy camera and flash, but what about most of you that have a point and shoot. And there are many great point and shoots out there. So here's a simple trick. Cut a piece of plastic from a milk carton about 5" x 7". Then hold that piece of plastic about an inch in front of your flash length-wise angled at the ceiling (ceiling has to be some shade of white and not too tall). Then take the image. Some light will go through the plastic softening the light and sparkling the eyes, while some will bounce off the ceiling creating a softer light. Experiment with the settings on your camera and try to find the sweet spot. Good Luck! [gallery link="file" columns="2"]

What do Peter Frampton and the Miami Marlins have in common?

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The answer to the title would not be readily known to many who have not lived in Miami for quite a time. Before the Miami Marlins, then the Florida Marlins became a major league baseball franchise, their closest sibling would have been the Minor Leaugue Miami Marlins that were a farm team under the Baltimore Orioles. This would have been in the 1970's and prior. During the height of his career Peter Frampton came out with Frampton Comes Alive, one of the best selling albums of all time. During the Frampton Comes Alive Tour in 1977, Peter Frampton played in Miami with Gary Wright, famous for Dreamweaver. The concert was held at the old Miami Baseball Stadium which also hosted the Miami Marlins as a minor league team. The stadium has long since been abandoned and the images below are of the inside of the stadium today. Enjoy!

Miami Stadium (also known as Bobby Maduro Miami Stadium) was a basebal stadium in Miami, Florida. It was primarily used for baseball, and was the home field of the Miami Marlins minor league baseball team, as well as other minor league teams. It opened in 1949 and held 13,500 people. It was also used as the Spring Training home of the Brooklyn and Los Angeles Dodgers from 1950-1958 (for most of their "A" games). The Dodgers played their first game as the Los Angeles Dodgers at the ballpark when they opened their 1958 spring training schedule against the Phillies on March 8, 1958 in front of 5,966 fans.[1] It was used during the spring by the Baltimore Orioles from 1959-1990. At the time of its construction, Miami Stadium was remarkably modern and well-appointed, although in time it would be surpassed by later designs.On June 6, 1958, Orioles president James Keelty Jr. reached agreement with Miami Marlins president George B. Storer to move the Orioles spring training home from Scottsdale, Arizona to Miami Stadium for the 1959 spring training season.[2] On May 25, 1990, the Orioles announced that the team would move their spring training home games from Miami Stadium to Bradenton and Sarasota in 1991. The Orioles had trained at Twin Lakes Park in Sarasota prior to spring games in 1989 and 1990.[3]The stadium was located on the block bounded by Northwest 23rd Street (south - first base), Northwest 10th Avenue (west - third base), and Northwest 8th Avenue (east - right field), with an open area behind left field extending about a block north.A distinguishing feature of the ballpark was a high arched cantilever-type roof over the grandstand, in contrast to the typical styles of either flat and slightly sloping, or peaked like a house. This design enabled the ballpark to have a roof that covered most of the spectator area without any posts blocking the spectators' view. Al Lopez Field in Tampa, Florida employed a somewhat similar design with a less dramatic curve and less coverage.When the Florida Marlins were established in 1993, the new club opted for Joe Robbie Stadium, the home of the Miami Dolphins football team, a much larger facility than Miami Stadium.The City of Miami had proposed razing the stadium and selling the property for warehouses. But a sale price of $1.6 million plus demolition cost of $725,000, scared away would-be developers.

 

Magic City Bicycle Collective

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20120630_magiccitybicyclecollective_0060I attended the Magic City Bicycle Collective opening Saturday night. This is a long time coming as most other major cycling cities have many of these collectives. Kudos to the organizers. Magic City Bicycle Collective is a nonprofit, community driven, bicycle repair education center. They teach people how to work on their bikes personally or as part of a workshop. They have tools that are needed and the collective survives on donations on a per hour basis. Here are some images I took. feel free to download and share! They are also on my Facebook page http://www.facebook.com/CarlosFernandezPhotography for sharing and tagging! [nggallery id=9]

 

My perspectives on Wedding Photography

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[caption id="attachment_1250" align="alignleft" width="300" caption="Wedding Photography,Wedding Images,Wedding Photos"][/caption]  

 

 

 

 

I made some wedding images for the daughter of a very good friend last weekend. I love weddings. Better said, I love experiencing the human interaction at weddings from the standpoint of an active participant. The photographer is probably the only person that sees everyone more often, more than once. At their best, and at their worst sometimes. The challenge when shooting for a friend is managing the stress in making sure that the images are perfect and to ensure that you get both families as equally as possible. It's too easy to be drawn to one side if you are friends with many of the same people. In this case I have known the Bride's Mother and Father for many years. I will say though that whatever event I shoot I am always a bit stressed. Why? Because I care. I often tell people that I should stop shooting events the day I stop getting stressed because it means I've stopped caring. Some advice: I would never suggest that a friend photograph another friends wedding unless they have a lot of professional experience photographing weddings. Many friendships have been lost this way.

Tiny Dancer

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[caption id="attachment_1213" align="alignleft" width="510" caption="Dancer-Miami-Portrait-Photography"][/caption]  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I wanted to make images of a Dancer, but I did not want the typical Dance pose. I decided to use a more dramatic pose that matched the personality and grace of the dancer. Additionally I added the film and imperfect paper effect to give it a feeling of being aged. Someone left it in the bottom of a drawer for many years as many of these types of images are found.

The Photographer's Eye - John Szarkowski

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I just finished reading The Photographer's Eye by John Szarkowski (December 18, 1925 – July 7, 2007) . It is a name that should be known to every photographer. I say should because most do not know of him. The book is a must read for all photographers. It talks to the essential parts of every composed image: subject, detail, frame, time, and perspective. Each section is comprised of images detailing examples associated with each topic. It is evident what the emphasis is of each image and what it is trying to convey with regard to the section in which it is contained. Each main section of the book is introduced by Szarkowski in a very eloquent manner that clearly gives the reader an idea of what to expect and what to focus on. in 1962, he was picked by Edward Steichen to be Steichen's successor at the Museum of Modern Art. When he arrived in New York, not a single gallery in the city showed fine art photography. He wrote Mirrors and Windows: American Photography Since 1960. New York. MOMA (1978) describing photography which dichotomized two strategies of pictoral expression. The 'Mirror' strategy focuses on self-expressive photography and the 'Window' element in which photographers like Garry Winogrand, Diane Arbus, and Lee Friedlander leave their comfort zone to explore.

In 1973 Szarkowski published Looking at Photographs a practical set of examples on how to write about photographs.[1] The book is still required reading for students of art photography, and argues for the importance of looking carefully and bringing to bear every bit of intelligence and understanding possessed by the viewer. Szarkowski has also published numerous books on individual photographers, including, with Maria Morris Hamburg, the definitive four-volume work on the photography of Atget.

He taught at Harvard, Yale, Cornell, and New York University, and continued to lecture and teach. In 1990, U.S. News & World Report said: "Szarkowski's thinking, whether Americans know it or not, has become our thinking about photography".[citation needed]

In 1991 Szarkowski retired from his post at the New York Museum of Modern Art, during which he had developed a reputation for being somewhat autocratic,[citation needed] and became the Museum's Photography Director Emeritus. He was succeeded by Peter Galassi, the Chief Curator.

 

Back to Simple Photography

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I still remember getting my first "real" camera years ago at a Kmart in Newport News, Virginia. I was in the Navy and had a newborn at home. I wanted to capture every moment! It was a 35mm Mamiya SLR with a 50mm 1.8 lens. No zoom, and, oh, no flash. You cannot get any simpler than that. I was lucky, and I emphasize "lucky" enough to get a camera that would allow me to make existing light images of my first born in our dimly lit apartment. Did I tell you the camera and lens cost $125. Anyway, I took some of my most memorable and treasured images with that camera. It was compact and simple enough to take anywhere. Since it was not a zoom lens and relatively fast I was able to take images quickly without thinking about too many things. Photography was simple. Making images was fun and free from rules and expectations. Fast forward many years, cameras, lenses, and technology developments later. Things are not as simple. Very expensive equipment and so much of it. Closets of it! Lots of thinking going on to make the perfect image. As a matter of fact "too much" thinking. As an aside, I just finished watching the George Harrison special by Martin Scorsese and George's wife Olivia. One of the still images in the film was of Jimi Hendrix, George Harrison and Eric Clapton at a table in a bar. The image was black and white, blurry in areas, grainy due to low light, and not composed very well. It is, however, a priceless image. The image was most likely made with a fixed focal length fast lens. I miss that spontaneity. So while I have certainly not decided to abandon all of that wonderful technology, today I received the latest addition to my photography arsenal. Wanna guess what it is? It's a 50mm f 1.2 fixed lens by Canon. My how things evolve. Simplicity at it's finest. And I plan to again make memorable personal images, albeit of the next generation. I love it. Always remember, "the best camera is the one you have with you."